Coffeehouse-style blend offers strong local flavor
The Post (11/14/2005)
By Chris Deville

This charming little compilation assembled by Front Room open stage maestro Bruce Dalzell is the perfect eardrum lining for fans of coffee shop acoustic fare.

The second in Dalzell's Athens Singer/Songwriter series features three songs each from locals Jake Householder, Justin Gordon, Amanda Remnant and Tony Xenos. As with the live songwriter showcases Dalzell often hosts, the songwriters take turns, rotating from singer to singer as if the track list were a batting order. In doing so, the album avoids the pitfall of many a compilation - inconsistency - by presenting its diverse array of styles within the constant aesthetic of an intimate acoustic performance.

The consistency might be the result of uniform production. Dalzell recorded all the material at his home in nearby Stewart.

Each artist presents a unique set of songs, from Householder's wispy emo and Xenos' trademark alterna-pop to Remnant's folky balladry and Gordon's tales of twang.

Highlights include Remnant's short-but-sweet "Watch Yourself," Householder's anthemic album opener "Arrows, Spears and Shields," Gordon's sprawling "Kansas" and Xenos' "Mindwandering," which finds the former Cactus Pears frontman venturing outside his usual sonic territory. The rest of the songs range from good to great, with no duds in the bunch.

A piano tuner by trade, Dalzell has assembled a collection of songs that fits together in perfect harmony.

 
 

Track Listing
01 Arrows, Spears and Sheilds - Jake Householder
02 Holocaust Girl - Justin Gordon
03 Flawless Hands - Amanda Remnant
04 Answer That Begs The Question - Tony Xenos
05 Color Me Wistful - Jake
06 Leon Trotsky Assasination Blues - Justin
07 Watch Yourself - Amanda
08 Mindwandering - Tony
09 Rubber Soles - Jake
10 Kansas - Justin
11 Take Notice - Amanda (with Adam Remnant)
12 Beautiful December - Tony

 
Production Notes
Produced and Engineered by Bruce Dalzell at I Love Brucie Studios, Stewart, OH. Released October 2005
     
$12 (plus s/h)
 
   
           

Athens Singer Songwriter Series— Volumes 1 and 2
The Athens Insider (10/06/2005)
By Brooke Williams

Bruce Dalzell is known for his hugely popular open mics, for his tremendous songwriting ability, and for his ability to scoop up someone just learning how to strum a guitar and somehow stop them from running in the circles most young singer-songwriters never outgrow and set them on a straight, forward path of self-discovery and good music.

No one is quite sure how he does it—he’s often short on words and takes a less is more approach to advice, but he somehow ends up listed as an influence if not a mentor to literally dozens in this part of the state who consider themselves Brucie disciples, acoustic troubadours who find their voice and maybe their confidence while he looks on, silently smiling to himself and tapping his feet.

So, when such a sage of six strings opens his doors, recording and releasing a series of compilations of his young apprentices who he is quick to call friends, it is as if Willy Wonka is inviting the public in for a closer look to see how his magic is made. It’s almost as if Athens has it’s own A&R man, someone devoted to artist development, which explains why each compilation works much like the Songwriter Showcases he frequently hosts for under-publicized or sometimes overlooked solo artists, an in-the-round experience of four artists per CD.

The first album contains efforts from Jim Phillips (better known for his work as Senior Writer with the Athens News), Jody Schaub (who performs with Erin Cameron-McElroy), David Valentine, and Charlie Hughes. The second album features some names more frequently splashed across local fliers, like Jake Householder, Amanda Remnant, Justin Gordon, and Tony Xenos. Each album has its gems, some like fully laden and ripe fruit trees and others like diamonds in the rough, hinting at future efforts that will break our hearts in years to come.

The production is intentionally lo-fi, leaving the songs to be the stars. This compilation will stand as a yearbook of local acoustic music for a long time to come, not because the songs are perfect, but because they represent a beautiful journey within a vibrant community of songwriters, making it an easily justifiable purchase for local music fans, musicians, and those just passing through.